Get ready to experience Elvis Presley like never before! Baz Luhrmann’s groundbreaking concert film, EPiC: Elvis Presley in Concert, is set to take the world by storm, and it’s already sparking excitement—and a bit of controversy. But here’s where it gets even more intriguing: Neon and Universal Pictures have joined forces to bring this cinematic masterpiece to audiences globally, with Neon handling the U.S. theatrical release and Universal Pictures International taking it worldwide in 2026. Is this the ultimate tribute to the King of Rock ‘n’ Roll, or will it divide fans with its bold approach?
Debuting at the Toronto International Film Festival, EPiC is no ordinary film. Produced by Sony Music Vision, Bazmark, and Authentic Studios, it’s a treasure trove of unseen footage, blending Presley’s iconic 1970s Vegas residency, rare 16mm clips from Elvis on Tour, and intimate 8mm recordings from the Graceland archive. And this is the part most people miss: the film also includes rediscovered recordings of Elvis himself, sharing his personal narrative—a side of the story rarely told. These gems were unearthed during Luhrmann’s research for his 2022 biopic Elvis, starring Austin Butler.
Baz Luhrmann shared his vision passionately: ‘From the moment my editor, Jonathan Redmond, and I stumbled upon this extraordinary footage nearly eight years ago, we’ve been driven by one mission: to help Elvis fulfill his unfulfilled dream of touring the world.’ He added, ‘With Authentic Studios and Sony Music Vision, we’ve created something that defies labels—it’s not just a documentary, not just a concert film. It’s EPiC. Now, with Neon and Universal’s support, this film will grace screens everywhere, from small-town cinemas to the grandest theaters in global metropolises. I can’t wait to TCB (Elvis’s motto: ‘Taking Care of Business’) and bring this show to life.’
Tom Mackay, president of Sony Music Vision, echoed the excitement: ‘Baz has crafted an immersive, extraordinary film about a legendary artist that deserves the big-screen treatment. Partnering with Neon and Universal Pictures Content Group—two powerhouses in delivering unforgettable cinematic experiences—ensures Elvis’s story reaches audiences worldwide.’
Colin Smeeton, president of Authentic Studios, highlighted the project’s ambition: ‘When we began this journey with Sony Music Vision and Bazmark, Baz envisioned a completely new way for audiences to experience Elvis. He’s not only delivered on that promise but exceeded it. Collaborating with Neon and Universal to share this vision globally is a monumental achievement for Authentic Studios.’
But here’s the controversial question: Will EPiC redefine how we remember Elvis, or will it polarize fans with its unconventional approach? Luhrmann’s blend of documentary and concert film is undeniably bold, but will it resonate with purists? And what does it mean to ‘fulfill Elvis’s unrealized dream’ in an era so far removed from his own? Let us know your thoughts in the comments—this is one conversation you won’t want to miss!
